VVORK

“Ambigous Gestures”, 2004-2009 by Felix Gmelin. Three oil paintings on polyester, three c-prints on paper, a 45 min one-channel DVD and seven fruit boxes in wood and cardboard.

»Untitled«, 2009 by Marlie Mul.

“Gleaming the cube (press kit)”, 2006 by Marius Engh.

»Ex libris South Africa«, 2009 by Candice Breitz.

»Factum Kang«, 2009 by Candice Breitz.

»Bathroom wall, water pipes, shower rail«, 2009 by Petrit Halilaj.

“Lipstick Economy (Dior Addict in Lingerie Pink)”, 2009 by Swetlana Heger.

“Untitled (Cocos nucifera)”, 2006 by Henrik Håkansson. Palm tree, aluminium structure with dripping system, metal halide light.

“Shaker”, 2007 by Michael Beutler. Aluminium profiles mangled falt, wood, thread.

»Tommy Støckel’s Art of Tomorrow«, 2009 by Tommy Støckel.

»Casa Museo1«, 2010 by Philip Wiegard.

“Self“, 2010 by Judith Fegerl.

»Bergkette«, 2007 by Michael Hakimi.

“Der afrikanische Stuhl von Marcel Breuer und Gunta Stölzl aus der Anfangszeit des Bauhauses 80 Jahre verschollen geglaubt nun aufgefunden und erstmals praesentiert. (fig. IV)”, 2009 by David Lieske. Cushions, fabric, Hermes foot cast.

»Where are the people that talk on the radio?«, 2009 by Spiros Hadjidjanos.

“The Forty Part Motet“, 2001 by Janet Cardiff.
40 loud speakers mounted on stands, placed in an oval, amplifiers, playback computer.

»Cop Head 69«, 2006 by Dean Sameshima.

»Why does it hurt when my heart misses the beat (up)«, 2009 by Julian Göthe.

»Julian, Italian Restaurant«, 2008 by Annette Kelm.

»Runners Case«, 2007 by MK Kahne.