»Calendar (for Jack Goldstein)«, 2010 by Dave Dyment.
“Version 3 and 4″ from “Bouvard and Pécuchet’s Invented Desk For Copying”, 2007-2009 by Gareth Long.
»Project for a New American Century«, 2009 by Jennifer Marman & Daniel Borins.
»A Colour-Coding of Partch’s Ptolemy Keyboard Based on his Chromelodeon I«, (2008). Digital print applying the arbitrary colour scheme used by the American composer Harry Partch on the microtonal keyboard he constructed, called the Chromelodeon I, to his first-ever constructed instrument, the Ptolemy. The only record of the Ptolemy is a black & white photo. The colour print represents one “octave” (comprised of 41 distinct notes) of the Ptolemy keyboard as it may have appeared. The original instrument was misplaced by Partch sometime in the 1940s. By Craig Leonard.
“A Kind Jester”, 2004 by Craig Leonard. Rebuilding abandoned bikes in downtown Toronto.
»Demonstration«, 2003, a mass demonstration lasting 2 hours with approximately 30 people demonstrating “nothing”. By Kelly Mark.
»I Want to be Welcome Everywhere, Always«, 2008 – ongoing (ceremonial keys to various cities) by Jon Sasaki.
»Ill Prepared Piano« (2003). A classified ad in a local newspaper was answered on the day of the performance and a professional piano tuner was hired to repair the gallery piano as the evening’s final performance. By Dave Dyment.
»Playing Piano« (2008) is a stripped down, altered and refashioned piano with the addition of microprocessor-controlled machines and appropriated old piano rolls. By Marla Hlady.
»Untitled (Headset)«, 2007. A pair of headphones is altered so that one earpiece becomes a microphone, picking up its own sound from the speaker and creating a continuous feedback loop, which is disrupted by attempts to listen closer.
»Nothing (for Robert Barry)«, 2007 (Power-bar, electronic pest control devices) by Dave Dyment.
»Evil Decoder (Ouiji Subwoofer)«, 2006. A modified subwoofer which vibrates a Ouiji Pointer over Ouiji letters, spelling out the sinister directives that have been encoded in all popular music as subliminal messages. By Jon Sasaki.
»Anatomy of a Murder« set, 2007 and »Super How To from«, 2006 (a series of ready-made canvases painted to look like objects that share the same dimensions) by Roula Partheniou.
»Picture Postcard Posted from Post Box Pictured« signed by Jonathan Monk, sent to Toronto from Berlin, sent to your personal address from Toronto.
»Top Ten«, 2005. A pie-graph of the top ten selling records of all time is recreated as a record, using proportional wedges from the records involved, which include The Eagles, Michael Jackson, Boston, Led Zeppelin, AC/DC, Pink Floyd, Fleetwood Mac, The Beatles, Elton John and Billy Joel. By Dave Dyment.
»How To Respond In An Emergency«, 2006 by Diane Borsato. A 12-hour performance for the all-night public art festival Nuit Blanche in Toronto. For 12-hours, dancers dressed as Toronto Police officers, were seen dancing an intimate tango to music that blasted from parked cars. Video.
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