“Untitled”, 2011 by Nate Boyce.
“COPYSTAND: An Autonomous Manufacturing Zone“, 2009 by Stephanie Syjuco. Five day performative counterfeiting event held within its own gallery booth at the Frieze Art Fair. During the week, a cadre of three to five artists in a Production Area re-created artworks found in other booths and displayed them in a formal Gallery Area. All works were available for purchase at a mere fraction of the cost of the originals.
Stills from »The Simpson Verdict«, 2002 and »Two Stolen Honeymoons Are Better Than One«, 2006 by Kota Ezawa.
»It’s about time!« (sundial), 2006
»Ode to the CMB: Am I not a man and a brother?«, 2006 by Hank Willis Thomas.
»The Whole Alphabet, From The Center Out, Digital, VI« (Gouache on paper on panel, 2006) and »0-9« (Gouache on paper on panel, 2005) by Tauba Auerbach.
»Coloured Tiles and Satellite Dish, Zehlendorf. (German Restraint #17)« by Santiago Mostyn.
»Newspaper« (2003) is a gigantic newspaper created out of four issues of the New York Times, part of a series of sculptures of enlarged objects using the object to enlarge itself.
»Untying a Shoe with an Erection« (2003). By Mads Lynnerup.
“Tree hang one”, “Pinecone”, “Legline”, “Leap into the yard” and “Dirt roll one” by Keith Boadwee.