VVORK

“Every Word Unmade”, 2007 by Fiona Banner.

»Untitled (Wall Installation)«, 2008 by Richard Healy.

»In Almost Every Picture #7«, 2009 is a photo-book showing Ria van Dijk while shooting. Every time she hits the target, it triggers the shutter of a camera, and a portrait in firing pose is taken and given as a prize. It documents almost every year of the dutch woman’s life up until present times. Collected by Erik Kessels and Joep Eijkens.

“Composition in Progress [c.i.p.]” since 2003 by Yuko Mohri and Soichiro Mihara.

“Flags for peace”, 2003-2006 by Mariano Favetto.

»Flags«, 2008 by Oliver Musovik.

“T.R.”, 2006 by Ben Peterson.

»Exposition Abbatiale de Bellelay«, 2006 by Michel Huelin.

“Rehab”, 2007 by James Woodfill.

»Chelone Obliqua«, 2008, mixed media on canvas, by John Armleder.

“Endless Column”, 2006 by Jonathan Horowitz.

3 years of Vvork. Thank you for the support.

“BACK” from the “Mirror series“, 2007 by Haegue Yang. Oval mirror, hung its back to the front/ its front side to the wall.

“Double vision“, 2008 by Gregory Fong.

»Memory Theatre (A slide of a sun temple’s sacrificial altar, a modified skylight in the Loggia’s dome at Tate St Ives, an Extreme Proxigean Spring Tide, and the correct angle of the sun.)«, 2008 by Adam Chodzko.

»Worktable in aspic«, 2008 by Franz West.

»Oh why so serious?«, 2008 by Paul Chan.

»Seascape«, 1984, oil on canvas with handwritten text, by Igor & Svetlana Kopystiansky.

»As If Pulled By A Magnet«, 2009 by Alexandr Skarlinski.

“Autoinducer_Ph-1″, 2006, exploits a traditional rice cultivation technique from SE Asia. In the installation this process is reworked in an overly complexified, industrial, laboratory style way. By Andy Gracie, hostprods.