»Wrzeciono 5 m. 145«, 2009 by Katarzyna Przezwańska. Artists own apartment divided in color zones.

»Void Mastery / Blank Control«, 2011 by Petra Cortright.

»4900 Colours (Version II)«, 2007 by Gerhard Richter.

»Billboard 01«, 1991 by Gerwald Rockenschaub. Rockenschaub based his work on the modular system used by the poster company gewista, whereby each large-format poster is made up of 8–72 standard format sheets. He had these sheets printed in monochrome in seven industrial norm colours from which he made forty colourful combinations which could be independently selected on the spot by whoever was putting up the poster.

A still from »Dammi i Colori«, 2003 by Anri Sala.

»Public domain II«, 2010 by Matthieu Clainchard.

»Rhino Beetle«, 2005 by Sarah Morris.

»Shanghai Pigment Street«, 2001 by Barbara Bloom.

»Beige«, 2010 by Hanne Lippard.

»Light frame«, 2010 by Karina Peisajovich.

»Lilly«, 2005 by Lieko Shiga.

»Silverback«, 2009 by Keith Farquhar.

»Arcoiris Invertido«, 2010 by Stefan Benchoam in collaboration with Radamés Juni Figueroa and Chemi Rosado.

»Ink Jet Sculpture«, 2010 by Joel Holmberg.

»Scarp«, 2008 by Jarod Charzewski.


»Fan Dance«, 2006 by Patty Chang.

»Untitled«, 2006,

»Untitled«, 2010 by Pieter Vermeersch.


»Shatter III«, 2009 by Tauba Auerbach.


»Plasticine Creature«, 2009 by Goda Gontyte.


Ordering of colours and forms from Kandinsky’s seminar, 1931 by Fritz Tschaschnig.

Nächste Seite »