“Italienerin II (nach Karl Geiser, 1943)”, 2010 by Michael Hakimi. Photocopies, MDF, lacquer.

»Versions«, 2012 by Oliver Laric.

»steps of recursion«, 2011 by Anne de Vries.

»Similar to Squirrels after A. Dietrich«, 2003 by Richard Phillips.

“alexander#1_steel”, 2010 and “alexander#1_wood”, 2010 by Gerold Tagwerker.

“evidence of evidence II”, 2010 by Hassan Khan . Digital print on vinyl (scanned and resized found oil painting originally sized 34,5x25cm).

»Ghosting«, 2009 by Mounir Fatmi.

»Factum I«, 1957 by Robert Rauschenberg.

»Factum II«, 1957 by Robert Rauschenberg.

»Factum Kang«, 2009 by Candice Breitz.

»Versions«, 2010 by Oliver Laric.

»Untitled (Chunks)«, 2004-2007 by Christoph Weber.

»Replicant«, 2006 by Kristin Posehn.


»After-War«, 2009 by Kristina Norman.

„Real Snow White«, 2009 by Pilvi Takala.

»Parthenonandonandon«, 2009 by Ellen Munro.

»Prolégomènes à toute image pliée (Introduction to all folded images)«, 2009,

»Tête de Méduse«, 2009 by Benoît Maire.


COPYSTAND: An Autonomous Manufacturing Zone“, 2009 by Stephanie Syjuco. Five day performative counterfeiting event held within its own gallery booth at the Frieze Art Fair. During the week, a cadre of three to five artists in a Production Area re-created artworks found in other booths and displayed them in a formal Gallery Area. All works were available for purchase at a mere fraction of the cost of the originals.

»The Burghers of Calais«, (Tokyo) 1953 by Auguste Rodin.

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