»A Propósito« (1997) consists of a sculpture of 120 stolen car stereos obtained on the black market, and a looped video projection documenting the artists stealing a car stereo.


»Jedbangers« (1998-2002) deals with the sub-culture of headbangers in Mexico City at the same time as it becomes an allusion to ancient transcendental practices. The video projects onto a screen sitting on top of a wall of speakers that constantly emanate white noise. Both projects by Yosuha Okón.