“Miracles in nature and Science” from “Words and Years“, 2010 by Toril Johannessen.


“Information is content. Content is Fiction. Content is Messy.”, 2006 by Henrik Olesen.


“Isolated Depiction of the Passage of Time”, 2001 by Brian Jungen.

“Art Dispensing machine (ADM)”, 2004 by Osman Khan. Using Market-Of-One strategies, where companies wish to market and provide goods and services targeted at individual preferences, the ADM produces unique prints, based on the information kept on the magnetic stripe of a credit card.

“Global Tabacco Production, 1947-Present”, 2008 by Joshua Callaghan.


“Untitled” by Daniel Malone.


»Dadameter«, 2002-2008, Global index of the decay of the aura of language, By Christophe Bruno.

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»relational domain« (2007) by Bianco-Valente.


“Being on Top” by Stefan Schuster.


»Space Junk Spotting« 2006, is a project composed of mechanical and programming equipment linked to a database at a U.S. government-owned space observatory; this database contains the fullest possible data on the extent of the pollution and presents remarkable scientific methods for determining the position of space junk. In this way, the wider Internet public is offered a folder of information about space debris, which is strewn across the popular three-dimensional interface Google Earth. The tactical potential of this catalogue is the possibility it provides for finding a creative and constructive solution to the problem of reusing material whose position in usable orbits is already determined, without the enormous initial costs that arise whenever rockets are shot into space. By Saso Sedlacek.


»Beggar 2.0« another project by Saso Sedlacek is a robot for the materially deprived in Tokyo. It is made of old electronics and computer spare parts. The original 1.0 was tested in Slovenian shopping malls where it is forbidden to beg, but no such rule was made for robots. The new upgrade version of Beggar robot made at IAMAS institute in Japan was tested in the beginning of July 2006 on Tokyo streets where begging isn’t really a frequent phenomena and where interface communication is ubiquitous.Video.

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»Dictionary of Imaginary Places« 2006, is a site specific intervention at Ljubljana international airport. During the current expansion of the airport terminal the six line messaging service of the departure board has been modified to a twelve line, and a test program is being run every night to establish the capabilities of the old mechanical messaging service. In order not to confuse the remaining night time passengers with recognizable destinations, the developed software was set to automatically upload names from A. Manguel’s and G. Guadalupi’s Dictionary of Imaginary places which cites over 1.200 entries of imaginary cities, islands, countries and continents restricted to: no heavens or hells, no places in the future, none outside the planet Earth and no pseudonymous places. By Jasmina Cibic.


“Ebay Landscape” is an online environment built using a data flux coming from Internet. Mountains are generated grabbing eBay.com stock markets charts. By Carlo Zanni. See also “NASDAQ Vocal Index” and “Power Trio”.


»Le monde érotique« is Pierre Joseph’s attempt at recreating a map of the World from memory.


»Exposition Consortium« is a selfportrait showing a tomogram of Pierre Joseph’s brain.


Ben Fry’s Valence is a set of software sketches about building representations that explore the structures and relationships inside very large sets of information.